In addition to the many exercises for reading the higher positions, Book II contains
sections on advanced technique, ornamentation and playing style appropriate to the
different periods. As in Book I there is an extensive repertoire collection, listed below:
| 1.Prelude | Santiago de Murcia | Page 38 |
| 2.Allegro | Santiago de Murcia | Page 40 |
| 3..Andantino alla Siciliana | Mauro Giuliani | Page 42 |
| 4.Andantino | Fernando Sor | Page 44 |
| 5.Variation on La Folia | François de Fossa | Page 68 |
| 6.Variation | Fernando Sor | Page 69 |
| 7.Prelude in D | J. S. Bach | Page 71 |
| 8.Study No. 1 | Frederic Hand | Page 74 |
| 9.Variation | Mauro Giuliani | Page 82 |
| 10.Etude | Antonio Cano | Page 84 |
| 11.Minuet | Fernando Sor | Page 85 |
| 12.Prelude | Francisco Tárrega | Page 94 |
| 13.Divertimento | Mauro Giuliani | Page 102 |
| 14.Allegro Spiritoso | Mauro Giuliani | Page 104 |
| 15.Siciliana | Fernando Sor | Page 107 |
| 16.Prelude in E | Francisco Tárrega | Page 110 |
| 17.Mazurka in G | Francisco Tárrega | Page 112 |
| 18.Pavan, "The Earl of Salisbury," | William Byrd | Page 120 |
| 19.Galliard, "Heigh Ho Holiday," | Anthony Holborne | Page 121 |
| 20.Galliard | Francis Cutting | Page 122 |
| 21.Alman, "Hit and Take It," | Robert Johnson | Page 125 |
| 22.Fantasia | Francesco da Milano | Page 126 |
| 23.Prelude | G. F. Handel | Page 135 |
| 24.Allemand | J. S. Bach | Page 136 |
| 25.Courant | Robert de Visée | Page 138 |
| 26.Gavot | Robert de Visée | Page 139 |
| 27.Saraband | S. L. Weiss | Page 141 |
| 28.Gigue | Lodovico Roncalli | Page 143 |
| 29.Fantasia | S. L. Weiss | Page 144 |
| 30.Recuerdos de la Alhambra | Francisco Tárrega | Page 152 |
| 31.Estudio Brillante de Alard | Francisco Tárrega | Page 156 |
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